The Classical Era
The Classical Period
- “classical music” is general meaning, “Classical music” specific means music from 1750 to 1820.
- Opera seria replaced by Opera comique in French or Opera buffa in Italian
Recognizing a Piece by Bach or Handel
- String Dominated
- Melody spins out in long, sometimes asymmetrical phrases
- Late Baroque full of polyphony
- Strong bass
- Consistent rhythmic patterns
- Consistent mood or ethos
Recognizing a Piece by Haydn or Mozart
- String dominated, but with occasional solo by woodwinds
- Melody shorter, often in units of 2, 4, or 8 (symmetrical)
- Texture of Classical music mostly homophonic (melody + chordal harmony); texture is generally lighter
- Bass much less obvious
- Rhythmic patterns, more of a stop and go process
- Mood can change within the same piece or movement; no constant ethos
- Vienna: City of Music
- A city of the aristocracy
- Cosmopolitan center
- Viennese Classical School → Viennese Classical Style
- Franz Joseph Haydn
- Patronized by Esterhazy family
- Earned a lot of money by writing 12 London symphonies
- Commissioned to write The Emperor’s Hymn
- String quartet: “A civilized conversation of learned and equal participants”
- Wolfgang Amadeus Mozart
Classical Genre and Form
- Classical music back in the days
- “classical music” was once only for entertainment and is disposable.
- People go to concert to listen to new music. They may not even pay attention to it, but rather drink and eat and chat and flirt.
- Pop music are played in both theater and casino.
- Then becomes “High Art” that is written and studied
- Genres
- Symphony = played by “symphony” orchestra
- String Quartet = played by a string quartet
- Concerto = usually soloist + orchestra
- Sonata = piano or solo + piano
- Opera
The movements in symphony and string quartet is as below.
| Movement | 1 | 2 | 3 | 4 |
|---|---|---|---|---|
| Form | Sonata-allegro | Large ternary, Theme and variations, or Rondo | Minuet and trio in ternary form | Sonata-allegro, Theme and variations, or Rondo |
| Mood | Serious and substantive despite fast tempo | Lyrical and tender | Usually light and elegant, sometimes spirited | Bright, lighthearted, sometimes humorous |
| Tempo | Fast | Slow | Lively | Fast |
As for Concerto and Sonata, the 3rd movement from the above table is removed, other movements remains the same.
- K. followed by number = Ludwig von Kochel, who gave a chronological list of Mozart’s works, aka K. Number.
- Alberti bass - turning chord into triad
- Sonata-Allegro form - the “King Kong” of musical forms
- Exposition = Presents thematic material
- Development = Thematic material from exposition is developed, dramatic tension
- Recapitulation = Themes return in original order, resolution, calm is restored
- Optional introduction and coda
- Example: Mozart, K.545, Eine Kleine Nachtmusic

- Themes and Variations form
- Example: Haydn, Symphony No.95 “Surprise”
- Rondo form
- Usually at the finale, light and active
- Example: Mozart, Rondo alla Turca
Putting the Art in MozART: 3 Classical Pieces
- D minor for Mozart - Demonic key
- Piano Concerto in D minor, K.466
- Mozart = the Father of Piano Concerto
- Double Exposition Form - an additional exposition played by orchestra
- Piano soloist will conduct; the lid on the piano is taken off
- End of recapitulation → Cadenza
- Don Giovanni
- = Don Juan in Spanish
- Vocal ensemble - singing counterpoints
- The Requiem
- Mass = Kyrie → Gloria → Credo → Sanctus → Agnus dei
- Requiem Mass = Introit → Kyrie → Dies irae → Confutatis → Lacrimosa → Sanctus → Agnus dei
What Makes Mozart Great?
- Universality
- Perfect balance and proportions
- Endless supply of melodies
- Greatest beauty from simplest of ideas
- Fullest range of musical emotions
The Essential Mozart According to CMW
Listed in order of preference
- Piano Concertos
- D Minor K. 466
- C Major K. 467
- A Major K. 488
- C Minor K. 491
- C Major K. 467 “Elvira Madigan”
- G major K. 453
- Other Concertos
- Clarinet Concerto K. 622
- Flute and Harp K. 299
- Symphonies
- Little G Minor No. 25 K.183
- Prague Symphony No. 38 K. 504
- Big G Minor No. 40 K. 550
- Jupiter Symphony No. 41 K. 551
- Serenades
- Eine Kleine Nachtmusik K. 525
- Chamber Music
- String Quintet in G Minor K. 516
- Clarinet Quintet in A Major K. 581
- Piano Sonatas
- Sonata in C Major K. 545
- Religious Music
- Mass in C Minor K. 427
- Requiem Mass K. 626
- Masonic Funeral Music K. 477
- Motet: Ave verum corpus K. 618
- Operas
- Marriage of Figaro
- Don Giovanni
- Magic Flute